… This could have been another self-conscious gesture, calling attention
to the border between actor and public; instead, it enlarged the stage in
startling fashion. By walking out, Wotan placed us inside the blaze.
We have to say thanks to Alex Roth for this "piece" that we are
sharing. Read it and you will understand why. A Pie-in-the-Face “Pagliacci” - The New Yorker
to the border between actor and public; instead, it enlarged the stage in
startling fashion. By walking out, Wotan placed us inside the blaze.
We have to say thanks to Alex Roth for this "piece" that we are
sharing. Read it and you will understand why. A Pie-in-the-Face “Pagliacci” - The New Yorker
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